When I heard that Disney was re-releasing the Nightmare Before Christmas soundtrack I couldn't believe it when I read who was going to be doing cover songs on the album. Marilyn Manson? Fall Out Boy? Panic! at the Disco? Could these bands really pull off Disney cover tunes? The answer is yes! Well, for the most part, anyway.
These days, Nightmare Before Christmas has gained a huge cult following of wannabe goth and emo teens and Disney has seen this and released a whole ton of merch to cater to this crowd. Knowing this, it makes it easier to realize why Disney picked the artists they did for this album.
Now, about this track. MARILYN MANSON is a perfect match for this Danny Elfman classic! Both styles work together in complete unison! The song works with Manson's goth-industrial sound and lyrically, it is as if Elfman was writing this song about Manson himself! And hearing Manson sing lines like I am the clown with the tear-away face and I am the monster under your bed! doesn't sound unusual at all! Absolutely perfect! This is one of my favourite Disney covers.
Happy Halloween everyone! I hope it is a spooky night!
I can't think of a better group to take on Grim Grinning Ghosts! The BARENAKED LADIES have this sense of style and fun that they put into their music and their arrangement of this song is perfect!
The song, written in 1969 and originally sung by the voice of Tony the Tiger, Thurl Ravenscroft, has many verses and can be heard in its various incarnations throughout the 13 minute Haunted Mansion ride at Disneyland.
The Haunted Mansion was in planning stages when Walt Disney died and changed drastically after his death so he never got to see the final results or hear this song. As one of the better attractions in the park, I think Walt would have been happy the way it turned out.
Halloween is coming up so the next few days will feature some Halloween themed songs. Today's track is not really Halloween themed but features a Disney villain whose birthday is probably October 31, Cruella De Vil.
Let's go down to Brazil, the home of bossa nova and listen to a version translated into Portuguese and given a smooth, cool sound. All of this is thanks to MARCOS VALLE who is not only a successful bossa nova artist but has also found success bring that style to the mainstream world.
Although Valle has been making music since the 60s, his real influence in the music world was in the 90s when he merged bossa nova with electronica and brought it to the club scene. He called drum 'n' bossa and it was a huge hit.
But this track brings Valle back to his roots and turns the song that was meant to be insulting into a song that I sure Cruella would fine very complementary.
It's Obscure Disney Song Week here at Covering the Mouse and I have a spooky Halloween song for you! This month's obscure Disney song is The Headless Horseman from the Legend of Sleepy Hollow segment of The Adventures of Ichabod & Mr. Toad. The song was originally sung in 1949 by BING CROSBY and covered a few months after the films release by jazz singer, KAY STARR.
This version of Headless Horseman reminds me of classic Disney music from the shorts of the 40s. It has that distinct pop jazz sound to it. In fact, it is not that different from the Bing Crosby original but her sweet jazz voice is, dare I say it, nicer to listen to than Bing's. She is backed by the BILLY BUTTERFIELD QUINTET with background vocals by the THREE BEAUS AND A PEEP.
In 1948, the American Federation of Musicians was threatening a strike so Capitol Records, Starr's label, made all of their singers record a bunch of popular songs so that they could continue to release music while the strike was on. But Starr was new to the industry at the time so all of the good songs were given to the "popular" singers and she was left with the scraps. Is this why she recorded Headless Horseman? Because the all the good ones were taken? It certainly isn't a pop hit and it does fit with the timing of the strike. That's my guess.
Happy birthday HELEN REDDY! The star of Pete's Dragon turns 66 today and I am celebrating by posting a cover of her hit song Candle on the Water covered by ANNELIESE VAN DER POL.
Helen Reddy was one of the most successful female recording artists of the seventies and when she joined the cast of Pete's Dragon it was obvious that there would be a song written with her in mind. Candle on the Water was a smash hit and was nominated for a "Best Song" Oscar in 1977. It was competing with another Disney song, the Rescuers song Someone's Waiting For You, but both lost to You Light Up My Life. Reddy recorded her own version of Candle on the Water and released it as a single. It reached #27 on the Adult Contemporary charts.
The cover, by Anneliese van der Pol, is nothing really special. It pretty much sounds like how it would sound if the song was written today. A cheesy, adult contemporary piece of pop fluff. Anneliese does have a nice voice and, along with her theatre experience, it proves to me that she was a good choice to play Belle in the Broadway production of Beauty and the Beast. In fact, she was the last girl to play Belle before the show ended its thirteen year run in July.
Brother Bear was just a blip on the Disney radar compared to iconic films like The Lion King and Bambi, but the film has some great animation, a touching story and some great songs by Phil Collins.
Welcome, originally performed by PHIL COLLINS and the BLIND BOYS OF ALABAMA, serves as an introductory song for the family of bears that we are introduced to in the middle of the film. It has gone on to be used at Disneyland to welcome guests into the park.
Unlike many people, I actually like JUMP5'S arrangement of this song and Hawaiian Roller Coaster Ride. I don't know if they do their own writing and arranging (I don't think they do) but whoever does it is doing a good job. I can't say the same for whoever arranged the Jump5 cover of Beauty and the Beast.
Jump5 released their final album earlier this month and will disband after the current tour so it is unlikely that we will hear any more Disney covers from them.
It was 66 years ago on this day that Walt Disney released his fourth animated feature film to theatres! Dumbo is one of the most touching and enduring movies from the House of Mouse and it is still a favourite of children and adults today!
The film has a many songs but the obvious favourite is Baby Mine, the lullaby that Dumbo's mother sings to put him to sleep. As far as covers go most artists tend to stick pretty close to the original. Any why shouldn't they? It works so well as a love ballad and to drastically change it would be like eating garlic flavoured ice cream.
JIM BRICKMAN'S version combines his beautiful piano playing with the sweet voice of KASSIE DEPAIVA. DePaiva is a soap opera actress in my mind. I was surprised to hear her singing on this track but upon research I found that she perfomed at the Grand Ole Opery at the age of 18 and has a few albums out. Who knew?
There's a Great Big Beautiful Tomorrow - They Might Be Giants
The DVD release of Meet the Robinsons is tomorrow so I thought I would post a song off the soundtrack. This version of the classic Disneyland song There's a Great Big Beautiful Tomorrow is by THEY MIGHT BE GIANTS.
There's a Great Big Beautiful Tomorrow was used as the theme song to the Carousel of Progress attraction in Tomrrowland. People are taken through a rotating series of room that take you through history and the progression of technology. The last room is a look into the future and was constantly updated to keep up with the times. (Can you imagine visiting the Carousel in 1967 and seeing a look at 1994? That would be wild!)
Robert Sherman, one of the songs composers, has been quoted saying that this is Walt Disney's theme song
The theme song, Great Big Beautiful Tomorrow, had a wonderful positiveness about it. In a way, it was Walt's theme song, because he was very positive about the future. He really felt that there was a great big beautiful tomorrow shining at the end of every day.
In many ways, Meet the Robinsons was a spoof of Tomorrowland (calling it Todayland in the film) and the plot of the movie, a boy visiting the future, makes the inclusion of this song on its soundtrack very appropriate.
There's a Great Big Beautiful Tomorrow They Might Be Giants 2007
Heigh Ho, this is Boyhowdy from Cover Lay Down, the folk-themed cover song blog. Kurtis invited me over (thanks, Kurtis!) to bring y'all a folk cover of a Disney song, if I could find one; I found plenty, but our prolific and well-informed host had heard most of 'em. By process of elimination, then, the gift I bring today is JOE HENRY'S simple, elegant version of When You Wish Upon a Star.
Henry is one of those alt-americana artists; over a twenty year career, he's moved from the country camp through Jazz, and more recently into collaborations with Louden Wainwright III and production gigs for folk and blues artists from Bettye LaVette to Teddy Thompson. He has been compared to Tom Waits, though his voice is much clearer; both have found a cohesive sonic space with its own rules, and both tend to wrap lyrics around tempo to create a lush environment for even the simplest songs.
This version of When You Wish Upon A Star is a little ditty that clocks in at just over two minute long. But though it uses the same sweeping strings and bells we remember from the original, Henry's interpretation swings the vocals a little more, and this -- plus his great slightly raspy voice -- bring a subtlety and wistfulness to the song that really makes it shine.
I found today's cut -- plus Bonnie Raitt's wonderful version of Baby Mine -- on the kids album MARY HAD A LITTLE AMP. It's worth getting, especially if you're as sick of the Wiggles as I am.
(If you like Joe Henry, by the way, keep your eyes on Cover Lay Down for a great cover of Pale Blue Eyes I'm saving for a Lou Reed/Velvet Underground post in the next few months. Now how's THAT for a shameless plug, folks?)
If you are a regular reader of this blog, you're probably asking why I am posting another Jungle Book cover so soon after Jungle Book week. Right? Well, there are two reasons why I am posting this song.
1) Even though we celebrated the 50th anniversary and the DVD release two weeks ago, today is the actual 50th anniversary of the Jungle Book. So I want to celebrate with a song.
2) According to my web stats, someone (or someones) is desperately trying to find a punk version of I Wan'na Be Like You. They have tried multiple different keyword searches on Google and keep coming back to this site. Whoever you are, this song if for you!
It's the punkiest version of I Wan'na Be Like You that I have by a group called VOODOO GLOW SKULLS. This track can be found on the Japanese exclusive album DIVE INTO DISNEY. The Voodoo Glow Skulls' style isn't actually punk. It's called third-wave ska which uses traditional ska and combines it with punk and metal to give the sound a more upbeat, frantic feel.
Thanks for putting up with another Jungle Book cover. I promise I'll give them a break until November, at least.
What is the one thing that RODNEY ALLEN RIPPY is known for? It certainly isn't his music. The track that I have posted here is proof of that.
This cover of It's a Small World is off the TAKE LIFE A LITTLE EASIER LP from 1973. The whole album shows that not every child star should release a record. He is just not that good at all.
So what is little Rodney known for? If you grew up in the 70s you would know that he was the little kid who couldn't eat Jumbo Jack hamburgers on the Jack in the Box commercials because they were "too big to eat!"
By the way, I'm posting a cover of It's a Small World today because it was today in 1965 that was the final day of the 64/65 New York's World Fair. The fair was the first home to four Disneyland attractions: General Electric's Carousel of Progress, Ford's Magic Skyway, the State of Illinois' Great Moments with Mr. Lincoln, and Pepsi-Cola's It's A Small World.
Beauty and the Beast - English Chamber Orchestra with Carol Rosenberger
Everybody give a big "Happy Birthday" to ANGELA LANSBURY who turns 82 today! Angela is a stage and screen veteran, having been in the movie, television and theatre business since 1944 acting in such memorable project like The Picture of Dorian Gray, the Manchurian Candidate, Murder, She Wrote and Disney's Bedknobs and Broomsticks! My favourite film of Angela's is Beauty and the Beast.
So, to celebrate Angela Lansbury's birthday, I am posting a cover of the song she sang as Mrs. Potts, Beauty and the Beast. This particular recording was composed by Donald Fraser and is performed by the ENGLISH CHAMBER ORCHESTRA with CAROL ROSENBERGER on the piano.
As with all the tracks on HEIGH-HO MOZART, this piece was re-written in the style of a great classical composer. In this case it is SERGEI RACHMANINOFF, a Russian composer and pianist whose work was influential in the Romantic era of classical music. He is known for his flowing melodies and beautiful piano scores. One of his most famous works, Rhapsody on a Theme of Paganini is a standard in the classical world and is also used frequently in film.
This interpretation of Beauty and the Beast is modeled after one of his piano concertos. Rachmaninov had really big hands, allowing he to play thirteenths on the piano. You can hear this being mimicked in this track.
Beauty and the Beast English Chamber Orchestra 1995
It's sad that children these days don't get to experience the Main Street Electrical Parade at Disneyland. Yes, there are other variations of the Parade at in the other parks but none of them are the same. The Main Street Electrical Parade, and it's soundtrack, were a part of summer evenings at Disneyland for three decades and it is on this day in 1996 that it did it's last route on Main Street.
The soundtrack, which was created by cutting edge synthesizers, was written in 1967 and was synchronized to the thousands of blinking lights and animatronic characters. The main theme was the Baroque Hoedown, which was heard during the Blue Fairy float, but the soundtrack incorporated many Disney songs that went with the floats of the same movie.
This version of Baroque Hoedown is by quirky rock duo THEY MIGHT BE GIANTS. This pairing is perfect; the song is quite weird and the Giants use of electronica in their music works to modernize this tune using the same elements that made it famous in the first place. You will also hear a bit of the Unbirthday Song which was played during the Alice in Wonderland float in the parade.
I should note, in case you are unfamiliar with the band, that They Might Be Giants is not an electronica group. They are alternative rock that draw on many other styles of music to make up their sound. Check back in a few week and you'll hear another Disney cover from TMBG!
Every second Friday of the month I will post a cover that is just plain awful. I call this feature Terrible Track Friday. This is the very first week and I can't think of a better person to post than WILLIAM HUNG!
I'm sure everybody knows this American Idol reject. He couldn't make it past the auditions. But due to his sweet personality and his passion to do his best (and uber popularity on youtube singing Ricky Martin's She Bangs) Kosh Records gave him a contract to record a full album.
Since then he has appeared on countless talk shows, commercials, sporting events and other guest appearances. Not bad for a novelty act. His agent sure milked him for all he's worth! Since the release of INSPIRATION in 2004, Hung has also recorded a Chirstmas album and a third album! Will this never end?!
Hung's version of Elton John's Can You Feel the Love Tonight is just awful. He is just a plain bad singer. No ifs ands or buts. And if this isn't bad enough, Circle of Life and Tarzan's Two Worlds are also on this CD! Ahh!
Some Day My Prince Will Come - Dave Brubeck Quartet
Many Disney songs have become jazz standards over the years. Alice in Wonderland, Chim Chim Cher-ee, I Wan'na Be Like You; but there is no other Disney song that has been used by jazz musicians more than Some Day My Prince Will Come from Snow White and the Seven Dwarfs. So it comes as no surprise that DAVE BRUBECK included it on his album of Disney tunes.
DAVE DIGS DISNEY was inspired by a Disney album his daughter was listening to. Seeing how much she enjoyed it he decided to record an album that his daughter would enjoy just as much. In these recordings you will hear Paul Desmond on the alto sax, Joe Morello on the drums and Eugene Wright playing the double bass.
In this version you will get the feel that most jazz musicians will give this song. It retains its soft and sweet melodies while the rhythm section gives it a light, brisk tempo.
Some Day My Prince Will Come Dave Brubeck Quartet 1957
I am not a country fan really at all. But of all the versions of Kiss the Girl that I have heard, I would have to say that I like this one the best. The Little Mermaid song has been crafted into a modern country hit by LITTLE TEXAS in 1996 for the Disney tribute album, THE BEST OF COUNTRY SING THE BEST OF DISNEY. The song reached 52 on the US Country Music Charts.
A year after this single was released Little Texas broke up. Ten years later, four of the original members decided to get back together again to record and tour. They released an album in June 2007. How long will they be around this time? Who knows. I just hope they cover another Disney tune.
ELIZABETH COOK has been making music all her life. She started performing on stage with her father at four and had her own band at nine. And even though she graduated college with dual degrees in Accounting and Computer Information Systems, her first love was music and her life went in that direction and hasn't looked back.
The song she sings for Disney is an old classic. Zip-A-Dee-Doo-Dah was written in 1946 for the movie Song of the South, Disney's first live action movie. I'm not really a fan of Cook's music or her voice, but she seems to fit quite well with this song. I find that her voice sounds like a cartoon so it is only fitting that she sings the song that, in my mind, is a bunch of cartoon characters being goofy and taking me for a ride in the Splash Mountain attraction at Disneyland.
Hi folks. I'm Steve from Cover Freak, a blog devoted to cover songs. Kurtis has generously invited me to be a guest poster on his blog and I'm happy to contribute to such a fine endeavor.
Folks tend to either love TOM WAITS or hate him. He started his musical career as a nicotine-stained booze-soaked piano-jazz beat poet. Boy that's a lot of hyphens. You might be familiar with his songs Step Right Up or The Piano Has Been Drinking from that era.
In the mid-80s he radically reinvented his music, adding unconventional instruments and developing a more primitive sound. This song was recorded shortly after he made that transition but it's relatively mainstream in its arrangement, at least compared to his later stuff.
Even as a child I realized that mining is a very dangerous job. There's a simulated coal mine at Chicago's Museum of Science and Industry that emphasizes the dangers of mining, and of course there are the unfortunate news stories of miners being trapped when mine shafts collapse.
So it always seemed weird to me that the Seven Dwarfs were so chipper about going down to the mine. What's wrong with those guys, I wondered. Seems that Tom Waits was wondering the same thing. In this song woozy keyboards and trash-can percussion conjure up a harrowing world where the dwarfs are condemned to a lifetime of hazardous backbreaking manual labor. And they're not happy about it. They'd much rather be back home, getting freaky with the tall chick.
Thanks Kurtis for letting me post on your blog. Shameless plug: For more demented covers, swing on over to Cover Freak.
Heigh Ho (The Dwarfs Marching Song) Tom Waits 1988
This is the first week of Request Week and I am happy to tie it in with this week's Jungle Book theme. Angry Anim wants to hear somthing from the Disney bossa nova album from a few year back, so here you go!
There are actually mulitple Disney bossa nova albums kicking around each with a different collection of songs. This version of The Bare Necessities is off the the Japanese-exclusive album called BOSSA DISNEY NOVA. Each album features top Brazilian musicians. I don't know much about the bossa nova genre but I do like what I hear. These discs are unique, well done and fun to listen to.
QUARTETO EM CY is four sisters, Cybele, Cylene, Cynara, and Cyva, who have been making music since the early sixties. The thing about sibling groups is that their voices usually work very well together and this is true with Quarteto em Cy. This song is a bit more upbeat than the other tracks on the album but it still has a cool sound.
Hi folks! Jamie here again from Fong Songs with a Jungle Book cover for you.
This past summer, I took the ol' Edmonton-to-Calgary Greyhound to check out the Calgary Folk Festival for the first time. While there were several notable artists including Hawksley Workman, Neko Case, Sharon Jones & The Dap-Kings, and Don Maclean, the big draw for me was the recently reunited Squirrel Nut Zippers. Now on a fine Saturday morning they shared a sidestage playing "Tin Pan Alley" tunes with fellow artists Eleni Mandell, Mary Flower, and... THE POLYJESTERS. Similar to the Squirrel Nut Zippers, The Polyjesters are a mish-mash of old styles including folk, swing jazz, country, and bluegrass. In fact, they describe their musical stylings as ka-chunk, which is also the name of their last album. They impressed me with their dynamic stage presence, impeccable musicianship, and good humour, which led me to catch their solo concert the next day. The core of The Polyjesters are brothers Sheldon and Jason Valleau, two good ol' Alberta boys, with a supporting cast that varies from album to album.
I picked up their latest CD at the festival and ordered another two from CDBaby.com. When I got their 2001 album Fiddlestix!, I was unexpectedly delighted to discover a Disney cover of I Wan'na Be Like You, which was masquerading under the title King of the Swingers. I was even more surprised when I started writing this post and found out they actually did a stint as the Fiddlestix, representing Canada on the Canadian stage at Disney World's EPCOT Center and this album is a result of that! I also beamed with Alberta pride when I read that Fiddlestix! was recorded entirely in a church in Olds, Alberta, a small town which I've passed through many a time en route to the mountains for skiing.
Earlier this month Disney finally updated O Canada!, a 360 degree film attraction at EPCOT, which had been peppered with dated Canadian stereotypes for over 25 years. Apparently it's now hosted by Martin Short and the theme Canada, You're a Lifetime Journey was re-recorded by Canadian Idol winner Eva Avila. Now there's a Disney cover for Kurtis to track down!
Check out this Jungle Book cover of Trust In Me by glam-post-punk rock band SIOUXSIE & THE BANSHEES.
I have never heard of this band before but upon doing some research, it looks like they has a very successful career in the UK and recorded eleven albums! The album you can find Trust In Me is a cover album released in 1987 called THROUGH THE LOOKING GLASS. You can find covers of everyone from Billy Holiday, Iggy Pop, the Doors, Sparks and Kraftwerk!
So far I have only heard this one track but their style seems to really work! It has a great feel and very creative uses of the harp! I think it would be more likely for me to by hypnotized by the singing in this version rather than the Sterling Holloway original.
Siouxsie & the Banshees were active from 1976-1996 but the lead singer, Siouxsie Sioux, is still releasing albums! In fact one came out last month!
The Jungle Book arrives on DVD today and to celebrate I have turned this week into a Jungle Book week! And to celebrate I have chosen a song that you find on the DVD as music video bonus feature.
THE JONAS BROTHERS are one of those 'Disney Channel' bands, having done music for various different Disney Channel shows and Disney movies. And they are not strangers to covering Disney songs. Their covers have already been on a few DISNEYMANIA cds and Special Edition DVDs.
I really like their treatments. They blend their pop/punk style with the tunes so well that I would imagine they actually wrote the song. Whether or not you are a fan of this genre, you have to admit that they do a good job. If the Jungle Book was made today I bet King Louie would be into punk rock like this rather than jazz.
This week is an important one for Jungle Book fans as the classic film is being released on DVD tomorrow! I have decided to declare this week a Jungle Book week here at Covering the Mouse. Everyday this week will feature a Jungle Book cover song! Today's track is The Bare Necessities covered by one of the most famous jazz performers in history: Louis Armstrong!
In 1968, LOUIS ARMSTRONG recorded an album of Disney music. This would end up being his last full album that he would record before his death in 1971. Louis took a serious approach to the songs, wanting to add his charm and style but stay true to the original treatments.
His version of Bare Necessities fits so well with his style and seeing that one of his nicknames is 'Pops' it seems fitting that he sings this 'Poppa Bear' classic. Actually this song wasn't classic when he recorded it. The Jungle Book came out in 1967 so the song was brand new when he stuck it on this album! The Bare Necessities was nominated for an Academy Award in 1968 and Louis played his version live at the Awards Ceremony.
Over the years, many musical artists have paid tribute to the music of Disney. This blog pays tribute to those artists.
You won't find any original Disney songs here, these are all covers, interpretations and variations on the tunes we all love.
About Kurtis Findlay
Kurtis has been singing Disney songs for as long as he can remember. He has created this blog as a means to connect with other Disney fans over the world.
Covering the Mouse is not associated with Disney or any major record label. If you wish to have a song removed from my site, please email me and I will be happy to comply.
kurtis[at]coveringthemouse[dot]com
More From Kurtis
Animated Toast! - Celebrate Christmas all year round! Read reviews of your favourite Christmas cartoons!
Animated Superheroes - A look back at the heroes of Marvel and DC Comics and their animated counterparts.